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  • Faces of love Hafez and the poets of Shiraz
Product Information
ISBN: 9781933823485
Translator: Davis , Dick
Age Group: Adult
Pages: 285
Weight: 497 g
Dimensions: 14 x 21 x 2 cm
Book Cover: Hard Cover

Faces of love Hafez and the poets of Shiraz: English 2012

Faces of love Hafez and the poets of Shiraz

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Product Information
ISBN: 9781933823485
Translator: Davis , Dick
Age Group: Adult
Pages: 285
Weight: 497 g
Dimensions: 14 x 21 x 2 cm
Book Cover: Hard Cover
A giant of world literature, an eloquent princess, a dissolute satirist – these are the three voices translated from fourteenth-century Persian by Dick Davis in Faces of Love. Together, they represent one of the most remarkable literary flowerings of any era. All three – Hafez, Jahan Malek Khatun, and Obayd-e Zakani – lived in Shiraz, a provincial capital in south-central Iran, and all drew support from arts-loving rulers at a time better known for invasions and political violence. Love was a frequent subject of their work: spiritual as well as secular, in varieties embracing every aspect of the human heart. They could hardly have been more different. Hafez – destined to win fame throughout the world – wrote lyrical poetry that was subtle, elusive, and rich in ambiguity. Jahan – largely forgotten until recent decades – was a privileged princess who could evoke passion, longing and heartbreak with uncanny power. (As Davis says: “To have this extraordinary poet’s fascinating and often very beautiful poems emerge from six hundred years of virtual oblivion seems almost miraculous.”) Obayd – a satirist and truth-teller – celebrated every pleasure of the flesh in language of astonishing and occasionally obscene honesty.
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A giant of world literature, an eloquent princess, a dissolute satirist – these are the three voices translated from fourteenth-century Persian by Dick Davis in Faces of Love. Together, they represent one of the most remarkable literary flowerings of any era. All three – Hafez, Jahan Malek Khatun, and Obayd-e Zakani – lived in Shiraz, a provincial capital in south-central Iran, and all drew support from arts-loving rulers at a time better known for invasions and political violence. Love was a frequent subject of their work: spiritual as well as secular, in varieties embracing every aspect of the human heart. They could hardly have been more different. Hafez – destined to win fame throughout the world – wrote lyrical poetry that was subtle, elusive, and rich in ambiguity. Jahan – largely forgotten until recent decades – was a privileged princess who could evoke passion, longing and heartbreak with uncanny power. (As Davis says: “To have this extraordinary poet’s fascinating and often very beautiful poems emerge from six hundred years of virtual oblivion seems almost miraculous.”) Obayd – a satirist and truth-teller – celebrated every pleasure of the flesh in language of astonishing and occasionally obscene honesty.
more