Būṭīqā-yi Shi'r-i Naw: Nigahī Dīgar bah Nazarīyah va Shi'r-i Nīmā Yūshīj: Persian 1403

What are the components of poetry? What principles is the thought system of Nobar's poetry based on? To what extent has Nima's intellectual heritage been transferred to today's poetry and society, and what solution does it provide for today's poetry crisis? How can concepts such as "subjectivity" and "objectivity" help not only polyphonic poetry but also the perspective of a dialogic society? We don't have a definitive answer to any of these questions unless we understand what is meant by the "new field of vision" that Nima constantly insists on. In this research, the theoretical plan of that "new field of vision" is shown schematically and systematically. Its words are followed in the poem of the first teacher and students. If there is anything new in this research, this novelty is due to the careful reading of Nima's theories.