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  • Dāstān-i Dārutiyā
Product Information
Original Title: Dorothea's Story (Play Two from The Middlemarch Trilogy)
ISBN: 9786220605614
Translator: Māhrukh Himatī
Publisher: Nashr-i niy
Age Group: Adult
Pages: 1600000
Weight: 192 g
Dimensions: 14 x 21 x 1.7 cm
Book Cover: Paperback

Dāstān-i Dārutiyā: Persian 1402

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Product Information
Original Title: Dorothea's Story (Play Two from The Middlemarch Trilogy)
ISBN: 9786220605614
Translator: Māhrukh Himatī
Publisher: Nashr-i niy
Age Group: Adult
Pages: 1600000
Weight: 192 g
Dimensions: 14 x 21 x 1.7 cm
Book Cover: Paperback
Dorothea's Story is part of The Middlemarch Trilogy, a three-part stage adaptation by Geoffrey Beevers of George Eliot's novel Middlemarch (published 1871-2). The Middlemarch Trilogy comprises three interconnected plays ( Dorothea's Story, The Doctor's Story and Fred and Mary's Story) telling the story of Eliot's fictitious town of Middlemarch from the perspective of three different sets of characters: from county, town and countryside. They were first performed at the Orange Tree Theatre, Richmond, in 2013. Dorothea’s Story opened on 23 October. In Dorothea’s Story, set among the big houses of the local aristocracy of Middlemarch, young, intelligent Dorothea is so enamoured of the pedantic Reverend Casaubon that she marries him, much to everyone’s disbelief. But her friendship with Casaubon’s young cousin Will Ladislaw arouses suspicions in her new husband, who will do anything to thwart their mutual affection. The Orange Tree production was directed by Geoffrey Beevers and designed by Sam Dowson. The cast was Georgina Strawson, Daisy Ashford, Christopher Ettridge, Christopher Naylor, Jamie Newall, Liz Crowther, Ben Lambert, Michael Lumsden, NiamhWalsh, David Ricardo-Pearce and Lucy Tregear. In his introduction to the published script (Nick Hern Books, 2014), Geoffrey Beevers writes, 'I’ve always loved the challenge of huge themes in intimate spaces, where the principle must be, not: ‘What can we do with this?’ but: ‘What can we do without? How can we tell this story, as simply as possible, so the story will shine through?’ I wanted to use only her words, a few actors and a minimum of setting, and leave as much as possible to the audience’s imagination.'
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جهان نمایش مجموعه‌ای است از متن‌هایی که برای صحنه‌ی نمایش یا درباره‌ی آن نوشته شده‌اند. انواع نمایش‌نامه، چه برای اجرا و چه صرفاً برای خوانده شدن، از جمله نمایش‌نامه‌هایی با اقتباس از آثار ادبی یا سینمایی، و نیز متن‌های نظری در حوزه‌ی درام و نقد آثار نمایشی، در این مجموعه جای می‌گیرند. چیزهایی هست که آدم فقط یه بار تجربه می‌کنه و بعد می‌دونه که بهترین تجربه‌ی زندگیشو از سر گذرونده. من در حالی تجربه‌ش کردم که هنوز خیلی جوونم، همین. تو زندگیم، چیزی که بیشتر از هر چیز دیگه‌ای اهمیت داره سرتاپا ممنوعه برام، به خاطر غرور و شرافتم. البته من مثل کسی به زندگی ادامه می‌دم که توی خیالش بهشتو دیده.
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