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  • Kārnāmah ḥussayn Māhir
Product Information
Original Title: کارنامه حسین ماهر
ISBN: 9789644311239
Publisher: Karnamih
Age Group: Adult
Pages: 382
Weight: 2205 g
Dimensions: 23 x 29 x 5 cm
Book Cover: Hard Cover

Kārnāmah ḥussayn Māhir: Persian 1401

کارنامه حسین ماهر

Author: Mujtabā Zawqī
Rating:
223.92 $
4-6 Weeks
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Product Information
Original Title: کارنامه حسین ماهر
ISBN: 9789644311239
Publisher: Karnamih
Age Group: Adult
Pages: 382
Weight: 2205 g
Dimensions: 23 x 29 x 5 cm
Book Cover: Hard Cover
Mohammad Hossein Maher (born in Abadan, 1336) is a contemporary Iranian painter and sculptor who graduated from the Faculty of Decorative Arts in Tehran. He is one of the well-known figures and the owner of the today's Iranian painting style and has been teaching painting to students for years. Maher's fame first arose from his reference to the south of Iran. Throughout the seventies and part of the eighties, he was known as the "painter of the South". His painting in those years was initially a kind of return to his hometown, but his figures gradually took on the color of myth in the seventies, and by moving away from the objective time and place, they became generalizable figures. From that time to today, the situation of man, time, and place in Maher's works has changed many times, but what remains is the generalization of figures. In the last two decades, his gaze gradually turned inward and secluded, and instead of the climate and the land with its diversity and charm, he changed his direction to staring and penetrating the mental world and fantasy climates.
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محمدحسین ماهر (متولد ۱۳۳۶ آبادان) نقاش و مجسمه‌ساز معاصر ایرانی و فارغ‌التحصیل رشته نقاشی از دانشکده هنرهای تزئینی تهران است. او از چهره‌های شناخته شده و صاحب سبک نقاشی امروز ایران به شمار می‌رود و سال‌هاست که نقاشی را به دانشجویان و هنرجویان تدریس می‌کند. شهرت ماهر ابتدا از رجوعی که به جنوب ایران کرد پدید آمد. در تمام دهۀ هفتاد و بخشی از دهۀ هشتاد او را به عنوان «نقاش جنوب» می‌شناختند. نقاشی او در آن سال‌ها ابتدا نوعی بازگشت به زادگاه بود، اما فیگورهایش کم‌کم در دهه هفتاد رنگ اسطوره گرفتند و با دور شدن از زمان و مکان‌ عینی، به پیکره‌هایی تعمیم‌پذیر تبدیل شدند. از آن وقت تا امروز وضعیت انسان و زمان و مکان در آثار ماهر بارها تغییر کرده است اما آنچه همچنان باقی است همین تعمیم‌پذیریِ فیگورهاست. در دو دهه گذشته، نگاه او به تدریج به درون و خلوت گرایید و به جای اقلیم و سرزمین با تنوع و جذابیتش، به خیره شدن و نفوذ در دنیای ذهنی و اقلیم‌های خیال تغییر جهت داد.
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