Matn dar Dirāmāturzhī-yi mu'āṣir (1): Persiska (Farsi) 1403

The main purpose of this book is the principles of dramaturgy, the place of text in contemporary dramaturgy, and the relationship between text and performance in late theatrical productions, which is taken from the article by Hans Thies Lehmann entitled "From Logos to Spectacle: Text in Contemporary Dramaturgy" (1997), which you read in this book. Lehmann's theory of post-dramatic theater, according to Marvin Carlsen, It is the most important and influential theory of contemporary theater; But the secondary goal of this book is to know the post-dramatic theater and performance, which strongly attacks the conventional dramatic form and is influenced by avant-garde and theater of the absurd. The present book is a collection of important articles and conversations from theorists, playwrights, and key directors, which include: Philip B. Zarilli, Erica Fischer Lichter, Patrice Povey, Marvin Carlsen, Jan Cutt, Martin Slein, Robert Wilson, Heiner Müller, Samuel Beckett, Harold Painter, Sarah Kane, Martin Crimp, Katie Mitchell, Cyril Churchill, David Barnett, Alex Sears, Peter Stein, Eugene UNESCO, Peter Hall and...