Antunin Artu va asarash: Persiska (Farsi) 1401

The book "Antonin Artaud: The Man and His Work" while examining Antonen Artaud's opinions about the theater, tries to examine them in the wider field of his importance as a school-building personality, a revolutionary force, and a unique historical psychological case. About the book: While examining Antonin Artaud's views on theater, this brief study attempts to examine them in the wider context of his importance as a school-building figure, a revolutionary force, and a unique historical psychological case. Because Artaud's life and work are inextricably intertwined, a significant part of this book is devoted to his life. In a part of this book, we read: Antonin Artaud, the man who lived and suffered and roared and was loved by his friends, is dead. He is no more, but the Lord of his presence—the million scribbled words in his selected letters and writings, his paintings, the animated body postures in his films, and the scratchiness of his recorded voice—not only remains, but it also continues to haunt. And just like the corpse that continues to expand in the UNESCO play, the expansion of Artaud's relics also continues. But Artaud's work is the condensing of the memories of those who knew him, these explanations and interpretations, and these articles that encourage this or that group of his disciples and followers to imitate his actions or live with his image or likeness.