Funūn-i Namāyish'hā-yi Īrānī: Persiska (Farsi) 1403

The list of techniques shows the enormous capacity of Iranian theater and our theater artists are expected to turn scattered efforts into a huge and comprehensive movement especially to avoid crude imitations of the most decadent methods of theater in the world. Instead, by deeply understanding the virtues and capabilities of world theater, establish a healthy relationship between them and Iranian theater. Knowing Iranian drama and its work does not mean imitating dead figures and parroting them. If about 400 years ago, simulating could create Ta'ziyeh according to the requirements of that time and the endangerment of Iranian identity and the danger of foreign enemies, today it can also create new forms based on the techniques of Iranian performances, knowing the dangerous situation of the world and the needs of the times and the needs of the people of this land.