Zanān-i faryād'khwāh: Persiska (Farsi) 1401

It is not for nothing that Hegel constantly referred to the plays of ancient Greek poets and tragedians in the foundation of his philosophy of history. The plays of Sophocles, Euripides, Aeschylus, etc., in addition to their artistic greatness and unique styles, always raise a lot of discussion and opinions as examples of great theories about philosophy, theology, politics, sociology, etc. The book "Screaming Women" by the great Greek tragedian, Euripides, is the story of women who came to beg for blood and plead in order to make their voices heard by ignorant and surprised people and tyrannical rulers. The children of these women, who were all commanders and soldiers of the Argus Corps, were killed in the attack on the city of Thebes, and the people of Thebes left their bodies on the ground and did not bury them, which is against the divine and moral traditions. Crying women have turned to Athens for the rule of law and democracy of Athens and Athenians to reach them. In this play, in a strange and unique way, in the middle of the millennium BC, 25 centuries before such a voice existed in the minds of the people of the world, by placing women at the top of a protest movement, Euripides puts forward ideas in sociology and political philosophy. which are surprisingly consistent with the issues of modernity. The Screaming Women's play, at the end of a first-class work of art, can be a source about women's legal issues, democracy, the right to protest, and legal requirements related to beliefs and religions, etc.