Maz̤ḥakah'nāmah-yi Dun Kīshut-i Lāmānchāyī: Bāz'khvānī-yi Rumān-i "Dun Kīshut" Sirvāntis : Persian 1404

The playwrights' approach to important works of fiction has always provided this valuable opportunity, on the one hand, for the audience to once again come face to face with these great works, and on the other hand - in the turn of literature to play - the dramatic capacities of these works to become apparent. We have called the farce play Don Quixote of La Mancha a reading or "rereading" because this play is not a mere adaptation of the immortal novel by Cervantes, but rather a view of that novel from another angle. In this rereading, by eliminating the main hero of the novel, it is possible for the entire story of the novel to become a group game for another group. Here, the simple definition of the story of Cervantes' novel as a play for the audience is no longer intended, but an attempt has been made to place the work in a dramatic definition before the audience's eyes.