Gawdāl; Kārkhānah: Persian 1403
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Original Title:
The Hole / The Factory
ISBN:
9786228089560
Translator:
Mahdī Ghabrāʼi
Publisher:
Nilufar
Age Group:
Adult
Pages:
280
Weight:
280 g
Dimensions:
14 x 21 x 2.6 cm
Book Cover:
Paperback
The Hole
Asa’s husband is transferring jobs, and his new office is located near his family’s home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, their remoteness, the constant presence of her in-laws, and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.
One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.
The Factory
The English-language debut of Hiroko Oyamada—one of the most powerfully strange young voices in Japan.
In an unnamed Japanese city, three seemingly normal and unrelated characters find work at a sprawling industrial factory. They each focus intently on their specific jobs: one studies moss, one shreds paper, and the other proofreads incomprehensible documents. Life in the factory has its logic and momentum, and, eventually, the factory slowly expands and begins to take over everything, enveloping these poor workers. The very margins of reality seem to be dissolving: all forms of life capriciously evolve, strange creatures begin to appear… After a while—it could be weeks or years—the workers can’t even ask themselves: where does the factory end and the rest of the world begin?
Told in three alternating first-person narratives, The Factory casts a vivid—if sometimes surreal—portrait of the absurdity and meaninglessness of modern life. With hints of Kafka and unexpected moments of creeping humor, Hiroko Oyamada is one of the boldest writers of her generation.
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هیروکو اویامادا از نسل جدید نویسندگان خلاق ژاپنی، در هیروشیما به دنیا آمده (1983) و هرچند تازه چهل سالگی را پشتسر گذاشته، اما بار هراسناک بمب اتمی که قریب چهل سال پیش از تولدش شهرش را به کل ویران کرده و عواقبش تا امروز بجا مانده، بر نوشتههایش سنگینی میکند، البته بی هیچ اشارهی مستقیمی به بمب، و در عوض با استفاده از هنر روایی که از بزرگان کشورش و جهان به میراث برده. اویامادا در هر دو رمان کوتاهی که در دست دارید، با ایجاد فضایی وهمانگیز و کمابیش فراواقعی (در عین استفاده از عناصر آشنا) به حقیقتی دست مییابد شایان موقعیت انسان امروز در جهانی معلق بین هویت و هویت باختگی.
اویامادا را در وطنش قدر دانستهاند و چند جایزهی معتبر، ازجمله جایزه ی آکتاگاوا را دریافت کرده است.
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