Dīn va Sīnamā: Persiska (Farsi) 1403

The book Religion and Cinema is written by Mohammad Maddpour. In the book Religion and Cinema, the author has tried to investigate the relationship between religion and cinema, and in this investigation, he deals with issues such as the formal and spiritual foundations of religious cinema, the spiritual wisdom of cinema, pseudo-philosophical illusion or cinematic analysis, and so on. Art is the result of direct relativity with the agent and man and the origin of the agent and man, and in other words, the work of art in the direct relationship of man with the existence of the phenomenon of this relationship has two aspects or two other areas: first, the area of ​​human sensory and super-sensory perceptions, and the other Language and artistic expression which are imaginary forms or images. In this book, the author has been able to familiarize the audience interested in religious and mystical topics with a movie that is the narrator of these topics. By examining the state of art in the era, he goes to cinema and the seventh art and criticizes it. With a very detailed understanding of the intellectual layers of religion and religion, he has not been intimidated by any film attributed to religious cinema, and to place a film in such a category, he has passed it through numerous filters. In this book, he expresses the necessities that are necessary for the realization of religious cinema and explains how the relationship between cinema and religion.