Tārīkh-i dirām va ti'ātr-i Urūpā (2 jildī): Persiska (Farsi) 1402

The basic conditions for the existence of theater can be found in the human situation, and the theater at the same time symbolizes the human situation, because the main situation of the theater includes all the factors that make up the human situation, that is, the desire to create oneself as another and the ability to show the other as a role. The special quality of theater lies in the creation of representation and playing, in symbolizing and giving theme to this human situation. German researcher Fischer-Lishte, theater in Iran is known more than anything else for the theory of performance aesthetics. Basically, he considers a performance art work as a self-referential work that is tied to the specific moment of its production, this work gives the audience a new position and forces them to interact with the work. With this perspective, Fischer Lepeshte examines the history of European drama and theater in order to track this interaction and the formation of the concept of identity through the analysis of important dramatic texts. Those who are interested will find the history of European drama and theater an important source for pondering the history of theater.