Sīnamā-yi Zhāpūn: Persiska (Farsi) 1401

With the miraculous success of the Meiji reforms in the middle of the 19th century, in Japan, all attention was directed towards economic and political reforms, and less attention was paid to culture and its role. For this reason, the pre-war cinema was also neglected, a cinema whose formation and development in pre-war Japan can be considered a miracle like the Meiji reforms, although it was not internationally famous at the time and is not being addressed as it deserves now. will be Even after the internationalization of this country's cinema in the years after the Second World War, the eyes were still mostly focused on the same prominent cinematographers after the war, and less attention was paid to the exceptional phenomenon of the growth and development of Japanese cinema in the early years of cinema. In fact, it can be said that after the invention of cinema, Japan was the only non-western independent country that had a national cinema and cinema industry. A movie that, although it learned from the West, but in the end everything was Japanese and according to the taste of its people. This issue made it stand on its own feet by relying on the domestic market and in a successful competition with the showing of western films in the domestic market and become a successful industry without any dependence and government support.