Bar'sākht-i "Iṣālat": Muṭāli'ah-yi Intiqādī-yi Tārīkh-i Ijtimā'ī-yi Īrān az Darīchah-yi Musīqī 1294-1358: Persiska (Farsi) 1403

The creation of "authenticity" deals with the historical process of creating "authentic" music in the last fifty years in Iran and how this music, which was developed by the second Pahlavi cultural institutions, became the dominant voice in the 1357 Islamic Revolution. In this work, the author critically studies the social history of Iran in the last century by analyzing the emergence of concepts such as "authenticity" and "banality". Also, by focusing on the social position of music and national musicians in the contemporary history of Iran, it highlights moments of the speech of the national music of Iran and presents an image of the continuation of domination and social resistance in the last century to the readers.