Sīnamā: Persiska (Farsi) 1400

Alain Badiou has written about his relationship with the "seventh art" in thirty different texts that span from the late 1950s to today. These texts provide a wide range of artistic cinema from the last fifty years, from modernity filmmakers (Mourneau, Bresson, Oliveira, Tati, Godard) to a number of contemporary American films (The Matrix, Magnolia, The Perfect World), along with Some rare experiences (Guy DuBore, Cinema 68, Grupo Foder's militant films, etc.) and analytical articles about the characteristics of French comedy films, the filmmakers of the "Second Modernity", Swiss cinema as an embodiment of "cinematic neutrality", in "The Narrative Dialectic," film as a "philosophical machine," cinema as a "manifestation of democracy," and detailed discussions of many other notable films and filmmakers, including Mizoguchi, Ozu, Rossellini, Visconti, Hitchcock, Hawkes, Anthony Mann, and Abbas Kiarostami.