Bazgasht-i Zardusht: Persiska (Farsi) 1401

The Return of Zoroaster is another re-creation of Zoroaster, which comes to life and is created in the weave of poetry and poetic narration. Summoning Zoroaster is in a different context and time, where the explanation and clarity of good and evil in the world becomes more and more bloody and painful. The tone and resonance of this work are not unlike Nietzsche's Zoroaster, who was the founder of the bipolarity and articulation of good and evil. A middle limit for salvation from this bottleneck was not visible in his teachings, as if the essence of this doctrine became the basis of all metaphysical systems after it, and today, under the banner of the truth of this type of metaphysics in the interpretation of the world, everyone draws his dagger and the phrase "right with It's everyone." It is as if the only result is the tragic and comic twin that leads us to it; Zoroaster in this book of others is not that Zoroaster, but he is a right-seeking and human-centered voice at its peak, with the same earthy and earthly essence and substance, the earth and history and the objectivity of his bloody steel play the main role in determining his path, destiny, and determination. he does.