Jāmi'ah'shināsī-yi Hunar: Persiska (Farsi) 1401

The present book includes a series of articles on the sociology of art and literature, derived from three influential schools of thought in the 20th century. The first theoretical direction presented is the "Critical Theory of the Frankfurt School". The theory of aesthetics of "Theodore Adorno" can be considered the most brilliant theoretical direction of this school, which is the result of negating the basic strategy of the Enlightenment, i.e. specialization of knowledge. Adornoke's writings are a dialectical combination of what they call sociology, philosophy, etc., and consider the characteristic of modern art to be a kind of anti-sociality or self-fundamental. Against this approach, the article of "Pirmashri" and "Etin Balibar", who are the representatives of the school "Structuralist Marxism" considers art as one of the manifestations of social and institutional production affected by the ideological structure of the state, and at the same time, it shows the distance of its theory from the "aesthetics of orthodox Marxism". In contrast to both of them, we can mention the theoretical and radical insights of "Gilles Deleuze" and "Felix Guattari" who, by emphasizing the positive and plural nature of human desire, recognize a kind of radical revolutionism in art and the works Modern art is seen as the manifestation of the creativity of the "schizophrenic" subject and the "emotional argument" for Marxist theories, whether orthodox or otherwise.