زیبائی خط فارسی الفارسية 1400

Examining the beauty of Persian calligraphy and the historical evolution of this beauty is a task that has almost never been done, but it is plagued by limitations that may be the result of the dominance of copyist and literary thought in Iran and among orientalists influenced by a perception unrelated to art and a mystical interpretation of it, which is naturally also in Iran. It has left its mark and we are very pleased. Still, the new findings of beauty criteria have not reached the historians of Iranian art history. This way of working has left its impact on us Iranians in the past fifty years, and easy acceptance and submission to popular beliefs has prevented us from getting the correct historical and artistic understanding.