Miyirhuld dar ti'atr: Persiska (Farsi) 1401

Actors are always made according to the character; That is, there are faces in the show that are exactly like the faces we see in real life. It is clear that the naturalistic theater considers the face as the main tool of the actor to convey his intentions and completely ignores the other available tools. He is unable to understand the appeal of visual movement and never insists on the actor exercising his body... The extent of the influence of Vaslud Meyerhold in modern theater cannot be easily evaluated. He managed theaters and staged some of the most enduring theatrical masterpieces of modern times. Based on his experience in teaching acting, he succeeded in inventing a revolutionary approach that aimed to prepare physical or biomechanical theater. He formed the most prominent creative groups in the history of theater. He had loyal friends and stubborn opponents, and in this way, most of his critics and audiences were separated from each other. He had a tendency to take help from intercultural phenomena in acting traditions, he laid the foundations for the development of physical and visual theater and thus his theater surpassed many of Bertolt Brecht's initiatives.