Funūn-i Nigārish-i Ṭanz dar Adabīyāt-i Namāyishī: Persiska (Farsi) 1397

Ten people who witnessed a certain event recount it. However, according to the worldview, sensitivities, and importance that they attach to themselves, each person emphasizes and dims a part of this incident or changes the sequence of events to their taste, even deleting and adding. In the end, ten different narratives are formed from a single event. Usually, a narrative that makes the audience - without yawning - want to follow its events, is called a dramatic narrative. Whenever the audience, while following the events, also laughs a lot at them, there is no doubt that dramatic humor has been created; Of course, these dramatic narratives, especially in the field of humor, are not careless, and they have their customs and principles, the sum of which can be called "humor writing techniques in dramatic literature". In this way and considering these few lines, it can be acknowledged (at least I come to this conclusion) that any event can be turned into a work of humor according to the type of look and the angle of the narrator's entry into that event, and that too as imagined It is possible that the nature and content of an event has no effect on the formation of the comic effect, and if it does, it will be more to the extent of sweetening the events and better inducing some concepts and messages. As a result, if the satirist wants, he can draw humor from any event. Of course, provided that he knows the way.