bayzāyī va kurukudīl: Persiska (Farsi) 1401

"Bayzaei" is a very important work and it is very likely that along with "Oleana" by Ali Akbar Alizad and "The Marriage of Mr. Mississippi" by Arash Falahatpisheh, they will be remembered by professional theatergoers from the first half of 2014. "Beidai" is also full of moments and points of genius that are missed by amateur or non-professional theater audiences, but professional theatergoers understand these subtleties, which have clever implications. For example, when the words don't flow in the mouth of the actor Sudabah with that mocking make-up, which is the lower part of the bloody jaw, and he stutters on some words, we can get to subtle self-referential ironies that mark the artistic atmosphere of our cinema and theater. Our cinema and theater, following the Fordist production system, is constantly producing actors who get their identity from their functional noses or the edges of their lives, without being able to read a text correctly...