درآمدی انتقادی بر تاریخ عکاسی ایران فارسی 1401

"The following text is a summary of my master's thesis in photography, which was compiled almost eight years ago at the Faculty of Fine Arts of Tehran University. Although in those years I was more or less involved in the aesthetic effects and more in pursuit of the conceptual and philosophical aspects of the photographic image, the political and social functions of this democratic media and its influence on daily life, and its penetration in the most superficial to the deepest layer Human social life was more interesting and problematic for me. On the other hand, over the years, the study of history, especially the history of Iran, had gone beyond mere reading for me and had become more challenging. I must admit that entering the field of art, that is photography, was the only point and excuse that could connect my intellectual concerns in the fields of art, history and philosophy, and of course political and social issues. To drive the field of research and research in an academic way. The traditional historiographies and the official periodicals of the history of Iranian photography were not so attractive to me that I wanted to make such historical research. Rather, I considered them, along with historical photos, raw and high-quality materials that..."