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جمعه - 11 مهر 1404
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اطلاعات محصول
عنوان اصلی: Kenji Mizoguchi and the Art of Japanese Cinema
شابک: 9786226025744
ناشر: Ābān
گروه سنی: بزرگسال
صفحات: 293
وزن: 300 g
ابعاد: 14 x 21 x 2٫7 cm
جلد کتاب: شومیز

کنجی میزوگوچی و هنر سینمای ژاپن فارسی 1403

Kinjī Mīzu'gūchī va Hunar-i Sīnamā-yi Zhāpun

نویسنده: Tadao Satō
امتیاز:
12٫36 £
4 تا 6 هفته
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اطلاعات محصول
عنوان اصلی: Kenji Mizoguchi and the Art of Japanese Cinema
شابک: 9786226025744
ناشر: Ābān
گروه سنی: بزرگسال
صفحات: 293
وزن: 300 g
ابعاد: 14 x 21 x 2٫7 cm
جلد کتاب: شومیز
Kenji Mizoguchi is one of the three acclaimed masters--together with Yasujiro Ozu and Akira Kurosawa--of Japanese cinema. Ten years in the making, Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the 20th century. Born at the end of the 19th Century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his beloved sister was sold into a geisha house. Her earnings paid for Mizoguchi's education. Weak and deluded men, and strong, self-sacrificing women--these were to become the obsessive motifs of Mizoguchi's films. Mizoguchi's apprenticeship in cinema was peculiarly Japanese. His concerns--the role of women and the realist representation of the inequities of Japanese society--were not. Through two World Wars, Japan's culture changed. Though censored, Mizoguchi continued to produce films. It was only in the 1950s that Mizoguchi's astonishing cinematic vision became widely known outside Japan. Kenji Mizoguchi and the Art of Japanese Cinema tells the full story of this famously perfectionist, even tyrannical, director. Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns are all discussed and set in the context of Japan's changing popular and political culture.
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میزُگوچی یکی از باثبات‌ترین و پرکارترین فیلم‌سازان صنعت سینمای ژاپن بود، اما به‌ندرت موضوع فیلم‌هایش محبوب منتقدان قرار می‌گرفت و کمتر به تحسین فیلم‌هایش می‌پرداختند. حتی پس از جنگ، به‌رغم ساخت فیلم‌های اجتماعی دموکراتیک، منتقدان ژاپنی موضع سختی در برابر سبک «محافظه‌کارانۀ» او اتخاذ کردند. تا اینکه دو فیلم او در سال 1936 منتقدان ژاپنی را تحت‌تأثیر قرار داد و علاقه به میزُگوچی رفته‌رفته در دهۀ نخست پس از مرگش به بیشترین میزان خود رسید. این کتاب، مجموعه‌ای از مقالات است دربارۀ سبک هنری میزُگوچی و تأثیری که بر سینمای محبوب ژاپن گذاشت.
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