Digargūnī-yi Ijtimā'ī va Fīlm'hā-yi Sīnamāyī dar Īrān: Persian 1400

"The writing of this book was finished in 1373, but it took a decade for it to be embellished. In those years, cultural studies and sociology of film and cinema were not yet well-known among art people. Movie publishers said that The book is not about cinema, and social science publishers said that this book is about cinema and has nothing to do with their field of work. Finally, after a decade, an educated editor was found who believed that the book was about culture, and in 2013, the book was published in Came. I can't say the book was well distributed, but they had a hand on fire. They read the book and the book found its place among books related to Iranian cinema. In this decade, after the publication of the book, I have tried to search for the feedback of the readers, especially the technical readers, and I can say that the result of my search has been that a group of readers, especially students, and researchers of social sciences, have rejected it because Iranian films have been scientifically studied for a long period methodically and they have made complex scientific concepts meaningful and clear by applying them. Currently, the number of research and dissertations in these fields is increasing, but when the first edition of this book was published, it was perhaps the only Iranian example of the use of these methods in Iran. A group of more general readers, whose number was less, liked and read the book because of an overview of popular Iranian films, they often found it difficult to read the book due to the existence of theoretical chapters and wanted to remove the theoretical chapters. "