Guft va gū'hā-yī bā Bikit va darbārah-yi ū: Persian 1401

Mel Gussow and Beckett have been seeing each other regularly for years and have talked about the performance of plays, their success or failure, and the work of directors and actors, through which you can understand Beckett's view on how to perform his plays. They conversed according to Beckett's usual rules: just a friendly chat, not an interview to be published in the press, no pen and paper to take notes or use a tape recorder. After each meeting, Gussow recorded the conversations in his notebook, which forms the main part of this book. In addition, he has interviewed directors Mike Nichols and Deborah Warner, who have performed Beckett's works, as well as popular Beckett actors such as Jack Meg Goran and Billy Whitelaw, who reminisce about Beckett's direction and his relationship with his actors. have quoted In a part of "Conversations with and about Beckett" we read: To outsiders, Beckett was an icon of austerity and obscurity. Despite appearances, he was a kind, curious, and trustworthy person who was open to the needs and wants of others: actors, other playwrights, the children of his friends, professors who taught his works, and anyone who had a reasonable reason to meet him. they had. Although it was rumored that he was stubborn in opposing any change in the presentation of his works, he was also flexible and there was no one to complain about a performance that he had not seen for superficial reasons. In fact, his spirit was vulnerable when someone crossed the initial fence of his privacy.