Vaqtī asarī hunarī budam: Persian 1401

When I was a work of art was published in 2003, a novel combining classical and modern schools and characters with mythological and contemporary names. In this novel, Schmidt shows how thought, like life and nature, goes from the inside to the outside, before it comes from the outside to the inside. And thinking begins in emptiness and reaches from emptiness to fullness and can fall into emptiness again. Schmidt objects to contemporary artists who, with opportunism, deal more with the business of their works and do not value their art and their audience. He mockingly examines the gaze of others who, regardless of the content of a work, continue to collect faceless objects for their collections. The story begins with the story of a twenty-year-old young man (Tazio) who, on the verge of suicide, stands on the edge of a cliff and is about to throw himself down, but suddenly he hears a voice that asks him twenty-four hours. She is a victim. Better to say, the victim of the speeches of our age. They make us understand that appearance is important. They suggest that we buy a lot of things. Buy new market items. Our appearance, our clothes, the food we eat, the makeup we do, our tools, our cars, beauty products, health products, and our social status should be appropriate. We must travel to distant lands. perform surgeries. Like everyone else, Adam was caught in the trap of these words. When he could not find himself among these colorful faces, a trickster suggested she make a new and attractive face for him that would make him feel happy. Then he realized that he was stuck in this impasse. That was when I met him.