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Product Information
ISBN: 9786004563079
Publisher: Hirmis
Age Group: Adult
Pages: 220
Weight: 250 g
Dimensions: 14 x 21 cm
Book Cover: Paperback

Riwāyat va riwāyat'garī (Kankāsh dar dāstāngūyī sīnamāyī): Persian 1401

روایت و روایتگری (کنکاش در داستان گویی سینمایی)

Author: Warren Buckland
Rating:
13.90 £
4-6 Weeks
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Product Information
ISBN: 9786004563079
Publisher: Hirmis
Age Group: Adult
Pages: 220
Weight: 250 g
Dimensions: 14 x 21 cm
Book Cover: Paperback
From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. Narrative and Narration distills the basic components of cinematic storytelling into a set of core concepts: narrative structure, processes of narration, and narrative agents. The book opens with a discussion of the emergence of narrative and narration in early cinema and proceeds to illustrate key ideas through numerous case studies. Each chapter guides readers through different methods that they can use to analyze cinematic storytelling. Buckland also discusses how departures from traditional modes, such as feminist narratives, art cinema, and unreliable narrators, can complicate and corroborate the book’s understanding of narrative and narration. Examples include mainstream films, both classic and contemporary; art house films of every stripe; and two relatively new styles of cinematic storytelling: the puzzle film and those driven by a narrative logic derived from video games. Narrative and Narration is a concise introduction that provides readers with fundamental tools to understand cinematic storytelling.
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همه نظریه های داستان گویی از سطح ظاهری فیلم فراتر می روند و آن دسته از عناصر و ساختارهای زیربنایی را مشخص می سازند که به فیلم معنا می بخشند. درست است که برخی از عناصر داستان گویی، فیلم را در قالب زیبایی شناختی لذت بخشی شکل می دهند و حس یکپارچگی و توازون و انسجام را رقم میزنند، ولی بقیه عناصر از طریق نگرش های ایدئولوژیک اجحاف آمیزی همچون پدرسالاری، نژادپرستی و نابرابری فیلم را سازمان می دهند.
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