مقدمه‌ای بر درک بینارشته‌ای فیلم الفارسية 1402

An introduction to the interdisciplinary understanding of the film is an example of the framework criticism of the film, which is compiled based on different theories of human sciences and with an interdisciplinary approach. The premise of the interdisciplinary criticism of the film is that while the film has its own unique ways of understanding the phenomena of the world, in this unique way, it blurs its borders with other fields of human sciences. Of course, the present book, based on its author's university education, which is the philosophy of art, has chosen, above all, the ways of philosophical understanding of the film. The audience of this book are students and those interested in the field of cinema as well as all other fields of humanities, who give cinema an equal status with other humanities in order to understand the phenomena of the world.