تجربیات بومی ژانر الفارسية 1402

The selected essays of this book, as a starting point for lighting the fire of imagination and thinking in Iranian cinema, pursue one goal, to present an image of how the world cinema industry has encountered specific genre types and the place of its foundation, and to make it native to the culture and He has made his art and how he has updated and transformed these experiences based on his political, social and cultural coordinates. A brief look at how the melodrama in Indonesia, under the influence of the country's macro-politics, found a local quality in Japan and Korea, how they recreated and recreated the horror cinema, and finally, how the Western, as a genre seemingly based on the American identity, is an example of successful experiences in China and Thailand. He has seen himself. The fact that African cinematographers localize a classic genre like crime as a tool to express their exploited identity, at the same time, the emotional (even economic) coldness of Eastern Europe has led to the power of the imagination of magical realism and minimalism in Romanian and Hungarian cinema.