Film script writing encompasses several levels of reflection and research that the authors of this book aim to bring together for the first time. In principle, all the questions, of greater or lesser magnitude, that apprentice screenwriters may raise ...
Film script writing encompasses several levels of reflection and research that the authors of this book aim to bring together for the first time. In principle, all the questions, of greater or lesser magnitude, that apprentice screenwriters may raise during their training period, but also those more specific, more theoretical or more methodologically oriented problems that undoubtedly interest both the critic and the historian as well as the simple amateur. From there, the book unfolds as a practical manual written in the form of, that is, as a text that guides its intrinsic usefulness along the path of speculation about the medium itself. Carrière - screenwriter, among others, of Luis Buñuel, Jean-Luc Godard, Milos Forman, Peter Brook, Volker Schlöndorff and Andrzej Wajda and Bonitzer - who has collaborated with Jacques Rivette, André Téchiné, Chantal Akerman, Barbel Schroeder and some others - summarize ideas, they avoid useless technicalities and directly address the most pressing aspects of the subject, thus developing a basic work for modern film theory, a work that uses all that conceptual clarity to establish a much broader scope of analysis, an exploration of the limits between craft and creativity, an immersion in the interstices of fiction and its relationships with cinematographic art.
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